Amy Bryce
Amy grew up in Sussex and lives in London writing music with collaborators across the UK and Europe. Her practice focusses on the role classical music plays within collaborative theatre making, site-specific work or educational settings. She’s delighted to be a participant on the Young Composer’s Scheme with the National Youth Choir’s of Great Britain.
Additionally this year, Amy has been working with the 2020 Festival de Music de Sentúbal in Portugal on an interdisciplinary work for their Youth Ensemble. She was also a participant on the 2020 Britten Pear’s Young Artist’s Programme exploring operatic performance art in a multimedia setting.
In 2019, Amy received an International Grant to work as Composer-in-Residence for the Stiftung Kunst und Musik für Dresden, where she spent four months writing and curating independent projects in Dresden, Berlin and Leipzig, as well as participating in the TONLAGEN Festival in Hellerau.
Amy was a participant on the 2016/17 London Symphony Orchestra Composer’s Panufnik Scheme, from which she received an artist’s commission and a premiere with the LSO Community Choir. Her work has also been programmed by the BBC Singers, Tête-à-Tête Opera and at the Lilian Baylis Theatre in association with Sadlers Wells.
Amy grew up in Sussex and lives in London writing music with collaborators across the UK and Europe. Her practice focusses on the role classical music plays within collaborative theatre making, site-specific work or educational settings. She’s delighted to be a participant on the Young Composer’s Scheme with the National Youth Choir’s of Great Britain.
Additionally this year, Amy has been working with the 2020 Festival de Music de Sentúbal in Portugal on an interdisciplinary work for their Youth Ensemble. She was also a participant on the 2020 Britten Pear’s Young Artist’s Programme exploring operatic performance art in a multimedia setting.
In 2019, Amy received an International Grant to work as Composer-in-Residence for the Stiftung Kunst und Musik für Dresden, where she spent four months writing and curating independent projects in Dresden, Berlin and Leipzig, as well as participating in the TONLAGEN Festival in Hellerau.
Amy was a participant on the 2016/17 London Symphony Orchestra Composer’s Panufnik Scheme, from which she received an artist’s commission and a premiere with the LSO Community Choir. Her work has also been programmed by the BBC Singers, Tête-à-Tête Opera and at the Lilian Baylis Theatre in association with Sadlers Wells.