Yazz Ahmed
Through her music, British-Bahraini trumpet player Yazz Ahmed seeks to blur the lines between jazz and electronic sound design, bringing together the sounds of her mixed heritage in what has been described as ‘psychedelic Arabic jazz, intoxicating and compelling’. Her career has included collaborations with Radiohead and Transglobal Underground, and commissions for Adult Swim and New York’s Festival of New Trumpet Music.
It was Yazz’s self-released debut album, Finding My Way Home, 2011, which saw her first explorations of Arabic music, introduced her as an innovative performer and composer, and led Jazzwise Magazine to mark her out as ‘one to watch’. However, it was her second album, La Saboteuse, (Naim Records, 2017), which made a global impact, clocking up multiple rave reviews and making many ‘best of 2017’ lists around the world, including Jazz Album of the Year in The Wire magazine, and achieving the number 18 spot in Bandcamp’s top 100 albums (all genres).
Through her music, British-Bahraini trumpet player Yazz Ahmed seeks to blur the lines between jazz and electronic sound design, bringing together the sounds of her mixed heritage in what has been described as ‘psychedelic Arabic jazz, intoxicating and compelling’. Her career has included collaborations with Radiohead and Transglobal Underground, and commissions for Adult Swim and New York’s Festival of New Trumpet Music.
It was Yazz’s self-released debut album, Finding My Way Home, 2011, which saw her first explorations of Arabic music, introduced her as an innovative performer and composer, and led Jazzwise Magazine to mark her out as ‘one to watch’. However, it was her second album, La Saboteuse, (Naim Records, 2017), which made a global impact, clocking up multiple rave reviews and making many ‘best of 2017’ lists around the world, including Jazz Album of the Year in The Wire magazine, and achieving the number 18 spot in Bandcamp’s top 100 albums (all genres).